Thursday, June 21, 2018

POST # 162: Is it Art or Illustration?


At what point does one morph into the other? Not as easy to answer as it might seem. Historically, until the mid 1800s, most art was what we today would today consider “illustration.” It told a story: historical, biblical or mythological. Even something as non-literary as a 17th century Dutch still life or a Turner landscape painting had an underlying “moral” basis, maybe a condemnation of sin or a Momento Mori, a commentary on the briefness of life. I recently came across a book in my library entitled: Modern Painters and Sculptors as Illustrators, with dozens of examples of famous artists from Picasso to Matisse, Chagall and Rodin, They clearly had as their primary intent the creation of a work of art. The written word, the story it came with, was secondary. On the other hand, when you compare their work to the great American illustrators like Howard Pyle or the Wyeths, you can see the difference clearly; their primary goal was to clearly tell a story. I’m not making a value judgment; Picasso is not “better” than Wyeth, just different. You can be a hack artist or a hack illustrator. What makes the difference between artist and illustrator is intent. Is the purpose primarily to tell the story or to create a work of art? With shades of everything in between.

As you suspect, whenever anyone makes a statement about art or artists, the exceptions jump out  at you. If you gave a copy of a poem or a short story to ten different artists and ask them to illustrate it, you would get ten totally different interpretations – as you should. Let’s say, there is a continuum, ranging from a totally abstract interpretation of a work of literature to an image where there is an almost photographic adherence to the story. “Fine Artists” have always been derisive of illustrators, assuming that work done for a client is necessarily less valid as of a work of art. Certainly, there’s no historic or even artistic basis for that. Is Giotto’s mural for the Arena Chapel less a masterpiece because it tells a story? Hacks are hacks; mediocre “artists” are no better than mediocre illustrators.

Anyhow, let me give an assignment to everyone reading this blog, artists and non-artists. Find a piece of literature you like: poem, story, book – and illustrate it in the manner of your choice. You can interpret it realistically or fantastically or abstractly. Any way you like. In fact, try it a couple of different ways. It’s a great way to push yourself, get out of a rut. For example, the artist Chagall was at his peak, did his best, most creative work from around 1910 to 1920. Then, he fell into a formula that sold well, made him rich and famous: his “faux” Vitebsk ghetto scenes, with flying lovers, rabbis and (cash) cows. It wasn’t until he turned to illustrating works such as Les Fables de La Fontaine and the Arabian Nights that his genius re-emerged and he ended up one of the greatest artist/illustrators of modern times.

Here’s your homework assignment: Pick a poem or a quote, a proverb, a fable - and create an illustration for it! I don’t care if you are an “artist” or not – in fact – I’m curious to see what the non artist readers come up with!
GO!…and send me the results.

 Renee Kahn
Artist and Ersatz Illustrator





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