I was having Sunday brunch at
Curley’s Diner with two menfriends when the subject got around to optimal
ratios for women’s bodies. One of them had previously sent us an e-mail with a
chart. Apparently, the determining factor, both for health and attractiveness,
is not a huge bosom or how much you weigh, but the ratio of waist to hips. From a childbearing point of view, that makes
a lot of sense and if you look at “ideal” women from Ancient Greece to modern
times, it’s the hip to waist ratio that counts.
Anyhow, I got around to telling them the story of a lunch date I had a
while back with a former (thankfully former)
male friend. As we were leaving the restaurant, he whispered in my ear that
he liked me much better now that I had “meat on my bones.” We won’t get into
what I thought about the meat on his
bones!
Growing up, I always wanted
to be well endowed, have long lines of lusting adolescent boys outside my door.
It was hard to be slender in an era where the reigning goddesses (Marilyn
Monroe, Anita Ekberg, Jane Russell) all wore DD bras. During my late teens and
until I started having babies in my mid twenties, I was 5’6” and never weighed
more than 114 pounds, great for slinking around or modeling clothes, but not
for being a “goddess,” my ultimate goal. And that may explain why I love to
paint ample women, the kind that hang out at Curley’s Diner and struggle to get
their weight down from 180 to a meager 150 pounds.
Artists have always liked
models with “meat on their bones”; skinny doesn’t translate very well onto
canvas. What would Titian or Rubens ever see in the hipless, belly-less
“clothes hangers” (with surgically augmented breasts) in fashion today? Would Renoir ever look twice at a woman in a
Size 6 dress? In past eras, thinness meant famine, an insufficient supply of
food. Today, the reverse is true; the upper classes strive to be as waiflike as
possible, eat as little as possible while the Working Poor (most of the
country) verges on obesity and the serious medical issues that go with it.
I like myself a little on the
“ample” side; it gives me what my late husband, a Clinical Psychologist, used
to call “Body Armor.” It was a term psychiatrist Wilhelm Reich used to describe
people (like Donald Trump) who bulk up to appear invincible but are actually
quite fragile. They acquire thick bodies as a protective layer of defense. You
see it a lot in men who radically alter their physiques by lifting weights. As
for myself, I don’t miss being 114 pounds with a 24”waist. Just as I enjoy
painting “ample” women, I personally like the comfort I get from having some
“meat on my bones.” When my voluptuous
sister-in-law who was built like one of those goddesses on an Indian temple
would try to lose weight, her husband would whine: “You’re taking the joy out
of my life!” I don’t plan to take the joy out of anyone’s life, especially my
own.
round pounds are lovely and flesh is fun but no meat is no treat and skinny minny me frets obout the wonder of where did the curves go and no manner of lifting can regain the main event, being 16......Hugs, FS
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