I grew up in New York City at a time when all the female role models such as Marilyn Monroe or Jane Russell were “zaftig” (Yiddish for plump or juicy). Every young woman I knew aspired to a 36”26” 36” figure and made sure to stuff handkerchiefs in places where Mother Nature had failed to meet that goal. In my urban neighborhood, only a few decades away from immigrant poverty, a well-built woman signified good health and an ample food supply. Catcalls of approval followed her wherever she went, annoying but preferable to my situation. I was an unfashionable 112 pounds through most of my teens and twenties and a source of worry to relatives who doubted I would ever find a husband let alone produce children.
But
what does this have to do with ART? Actually, quite a lot. Artists love hefty
models. You can almost hear the disappointment when a slender model walks into
a life drawing class and drops her clothes. “There’s nothing to paint here!” is
the unspoken wail. However, let a 200-pounder come through the door and the joy
in the room is almost palpable. “Now this is going to be fun!” It was okay for Medieval Madonnas in
clothes-hangar robes to be skinny but once you got to real naked ladies during
the Renaissance, they had to be well-endowed. “Venuses” from a migratory period
that pre-dated writing or civilization of any kind celebrated amplitude.
Anthropologists claim they were “fertility figures,” but I suspect they really
celebrated a reliable food supply. Fat meant fed. Among the greatest painters
of pulchritude were the 17th Century Dutch who were celebrating an
era of plenty after a prior period of famine and extreme cold. A nude by
Rembrandt or Rubens is as much a tribute to Dutch prosperity as anything else.
Today’s
sex symbols would be considered grotesque in any era but our own. Women are
encouraged to distort their bodies surgically. I once spotted one poor naked
thing in a locker room who looked as if someone had pasted two half cantaloupes
onto her anorexic body. Whose idea of feminine beauty is this? On the other
hand, coming out of Curley’s Diner the other day, I encountered an absolutely
magnificent woman, children in tow, wearing an ankle-length red silk dress with
tropical flowers on it. Maximum body; minimum underwear. I made sure to file
her in my mental “to show up in a painting someday” file.
Since
most of my artwork comes from my
subconscious, you’ll find an awful lot of pleasingly plump women there. There
are probably two reasons for this, 1) most of my subject matter comes from the
people I encounter in everyday life. They don’t mind being well endowed;
they’re just happy to be well fed. The
other reason is probably “wish fulfillment.” These babes have what I wanted all
those years ago. I’m apparently still
acting out my desire to attract approval from the guys at the candy store.
Really enjoy reading these posts, Renee!
ReplyDeleteNaomi