My late husband, a Clinical Child Psychologist, rarely “analyzed” my art. He felt it was an unwarranted invasion of my privacy, only occasionally coming into the studio while I was at work. Most of my early work was figurative, as if I were trying to create company for myself. In fact, he would often mumble “Only an only child would do this!” I secretly envied friends who came from large families, had lots of siblings, not realizing that being one of many had its own drawbacks. However, after birthing and raising three lively children, I had enough “company” for a while and was ready to move on, creating art that was mostly a mix of architecture and surrealist dream states.
One of the great joys in my life is my “house band,” country music players who rehearse in a rustic (Appalachia style) shed on my property, replete with wood-burning stove. This week, however, they asked if they could use my big painting studio; it has a two-story ceiling and the acoustics are amazing. They said they wanted to record some demo discs and this was the perfect place. It just so happened that I’ve been working on a wall-full of “portraits,” a built-in, imaginary audience that seemed to enjoy every minute of their performance. I keep adding to the crowd and there seems to be no end in sight.
In
a few months, when - and if - the pandemic subsides – I’m hoping to hold some
outdoor events on my property. You’re all invited and I will let you know when,
or if, anything happens. Bring a chair, a bottle of “something…” and enjoy coming
back to life. The “Webb’s Hill Center for Music & Art”, featuring the
“Webb’s Hill Mountain Boys” (or whatever they call themselves) will, hopefully,
be open to the public.
P.S. my new website is www.reneekahn.com